By R. Richard, Sunset Thomas
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The penultimate scene, in which the soldier tells a friend his post-war plans, unaware that he is dead, is also touching, if unoriginal. 42 Dmitri Shostakovich: A Life in Film Again, Shostakovich wrote very little music for the film, but even this was uninspired. 53 There are just five pieces in the film, with the best being the second, ‘October’. This covers Shadrin’s journey to Petrograd, ending with eight chimes of the clock – incidentally, at half-speed: one stroke every two seconds. In its arch structure a lugubrious march clambers towards the light before falling back, the middle section accompanying Lenin writing To the Citizens of Russia, leaving the darker parts for Shadrin’s journey.
It opened as planned on 1 November 1938 and was well received. 54 Yutkevich was awarded the Order of the Red Banner of Labour for it, and, though Shostakovich went unrewarded, he could chalk it up as a useful item on the CV. Like other films featuring Stalin The Man with a Gun was re-edited in the 1960s, but even in the midst of this political reorientation some things remained. Lenin still feels that the Bolsheviks were too liberal: ‘We must shoot [our opponents] yet we put it off,’ and that Trotsky is to be watched and one of his supporters arrested and tried.
And when the serious (Russian) Andrei arrives the mood changes again. Just as the film is a stylistic mixture, so the score is a similar ragbag of Shostakovich’s current and older styles, alongside the local folk music, which was recorded in the Caucasus. He wrote that he was going to use folk music in the film, ‘which I have not done before and it is interesting. I am closely studying the music and songs, mostly of the Chechens, Ingushes and Kabardinian-Balkars, and will base my music on them.
Anatomy of an Adult Film by R. Richard, Sunset Thomas